iCreate

We are all familiar with the idea and concept of liberalism. We live in a liberal democratic society where we can publish our opinions, individualize our things to suit our personality and have security from banking systems to obtaining security for our opinions and expressions. Some readers may agree with this statement, others may not. The irony is that we write and publish whatever we want but when we finally do decide to publish we are flooded with laws and agreements, copyright, censorship and media panics. Do we live in a confused society? The answer is that, (as Innis states) we live in a society where each medium has its significance for the type of monopoly of knowledge which will be built (around it).” In our society it is the internet, specifically, blogging or twittering which emphasizes the idea of liberalism and is the monopoly of knowledge. At the time of writing, Harold Innis’s argument had a basis on Empires and in this Blog, I will attempt to persuade and demonstrate to the reader, that even today Harold Innis’s argument is most relevant. We live in an era conceptualized, though Virilio as the Infowar  or the “industrialization of the non-gaze,” or Salvo’s “System Age,” we can even think of today’s society as the Age of the Apple Empire, preceding this we had the “Microsoft Empire and in many ways it is still dominant. Examples of media from history through to today will show how we still live in an age where particular mediums create a monopoly of knowledge.

 It is essential to introduce the idea of time and space based media in reference to the types of monopolies of knowledge that they create. This is important as to gain a broader understanding on how Empires were structured during the BC and AD centuries. We have an understanding that during and pre third century BC clay was the dominant medium used. Clay was very much a time based medium. Time based media means that it was immobile, and thus could not travel. I believe that time based media in an understanding of Ancient Civilizations could be categorized or defined as not purely to communicate, or for social relationships but rather for religious or sacramental purposes. To set a scene here, it is essential that we think of the Egyptian and Roman Empires in order to gain an understanding on how clay was used (as a time based media) and how it influenced the monopoly of knowledge created at that time to understand Harold Innis’s point of view.

EGYPT AND CHANGE

In Harold Innis, the idea of the Sun God- Ra plays a large role in how creative thought was composed during that period in time. Through sculptures and architecture we can see that clay and chiseled stone was used as decorations and also used to a small extent as represent worship. This later turns into Hieroglyphs which was more common on papyrus and used much later, thus displacing the particular type creative thought that was implemented before. In other words, in quoting Harold Innis, “The position of the monarchs was strengthened by the idea of immortality; and, the pyramids and the elaborate system of mummification carried with them the art of pictorial representation” (p.33). The chiseled stone as a medium became more meaningful and created a different type of creative thought around it and then once it was necessary to maybe create calendars and understand the times of worship the medium changed as a different creative thought immerged. As I have begun to explain this phenomenon, staying on the same note, the representation of the Sun God began to change to represent the Nile and the Sun. This is important as according to Innis, papyrus was founded at the Nile. Papyrus thus came to displace the creative thought and monopoly of knowledge that was initially created by the pharaohs to a scribal culture. Wars and trade routes enabled the papyrus to have a larger significance on the society. The creative thought of religion began to change and included the political arena, with the New Kingdom having more control over the society. Papyrus enabled control of the monarchy to the people. The creative thought that was prominent at a later time started to have a more administrative role; and including, collecting taxes and gradually developing to documenting assets. At this stage we begin to see how publishing becomes more prominent. It is evident that once things become documented and archived we move onto a different monopoly of knowledge. I have attempted to set the scene of Harold Innis’s arguement that time based media such as clay and stone had a different monopoly of knowledge that was based on religious purposes. Once space based media developed we have a more political, social stratified monopoly of thought which creates a larger creative thought. If the reader is interested in the development of this, it is essential to read, Harold Inni’s “Empire and Communications.” (2007, Dunburn Press Ltd).

A MEDIA EMPIRE AND AUSTRALIA

In this Blog, I would like to make known that like in the Egyptian Empire our society remains very much the same. I will now skip to over a thousand years ahead and show what I mean by living in, what I call the “Age of iCreate.” During the twentieth century we have an interesting convergence in the media. An example of this is the printing press and online media. We begin to understand here that Harold Innis’s concept of the conditions that are suited to creative thought are displaced by a new medium with a particular type of monopoly of knowledge. This section will outline what type of monopoly of knowledge the printing press created and the creative thought that surrounded it. In addition to this a more current outline will also be given through the similar process with books and the new e-readers. In Australia we can without doubt state that a monopoly of knowledge was created by the printing press. The creative thought that existed was also highly organized and structured. Before I explain some of the most famous Australian media moguls and their empires I would also like to state the idea of the printing press as a creative thought. Charlie Brooker’s humorous video on youtube demonstrates the type of creative thought in news reports though at a more recent setting.

Similarly, this is a Blog and I would like to express my thoughts and opinions to the public. Lady Gaga has released a new album. It is excellent everyone should buy a copy. Some tracks are good others not so good. Nevertheless, this is a pay per click blog and I believe that you must go and buy her album now. I highly recommend it. Come and read this Blog again.

The statement above demonstrates that even blogs have a particular authoritative structure. As mentioned, the newspaper is much older and works likewise. However, regarding the printing press it is essential to state the advertising revenue costs. It is evident that the existence of newspapers was due to the large advertising costs. This shows that the creative thought maybe based on journalism though can be displaced by a new creative thought which could be considered as advertising journalists. The idea that the journalists takes on a more versatile role to incorporate marketing roles as well as a political news journalist.

An alternative way of thinking in terms of the idea of monopoly of knowledge is through Murdoch’s, Fairfax, Packers and Sym’s eyes. These media empires have a responsibility to the public. I am talking about a journalist’s role to tell the truth. Although there are many variants of the meaning of truth, it is inevitable that when publishing the publisher is accountable to what is written. Laws of defamation and copyright are securities imposed to implement this, this works similarly to book publishing. The next question therefore, is to what extent is Lawrence Lessing’s Creative Common’s theory important? To a large extent, for instance newspapers are now viewed online and comments are open to the people to state their opinions. Now if someone wanted to use someone else’s work and publish it on this particular instance or different instance such as a social networking site, the idea that the work is used fairly and reworked in an appropriate and creative manner is absolutely fine, as long as the work is used fairly and it works here to use work’s which are well known rather than individual pieces that nobody has heard of and you claim as yours.

MONOPOLY OF KNOWLEDGE

For my last point, I would like to extend this concept of the “type of monopoly of knowledge which will be built and which will destroy the conditions suited to creative thought and be displaced by a new medium with its peculiar type of monopoly of knowledge,” using a different example that directly shows the impact of the Empire and its hidden secrets. I introduce to you “Energy Efficiency.” This is a complex way of understanding how the media directly influences our society, therefore I will return to the Egyptian God Ra. Ra was the Sun God, he was represented through pictures, however he became more religious and well known as time based media turned into space based media. Therefore, it is relevant to say that like the Sun God Ra, we have depicted an energy efficient society through pictures. (Please note that I refer to Energy Efficiency as it is the Climate Change in Australian Politics.)

Like the sun God, it became known that due to air pollution that causes global warming (another old term) our daily habits should change. As we live in a democratic liberal society, during this time in the late nineties which I call the ‘Green Era’ to the current time, skeptics were critical of this thesis. Furthermore to add a more complex story, politicians started to become skeptical of the theory as well; and in the midst of all the chaos the idea of “The Apocalypse” had arisen in the media-scape. So Green had turned into Blue, literally, we started thinking of concepts to save water and be more energy efficient in daily lives. Anyway, people such as the American Al Gore decided to make the scientific theory a little simpler through the media. So yes, he created ‘The Inconvenient Truth’ and although this gained an astounding media coverage its core purpose was not served. People were touched during the film but did not need to adapt different energy efficient manners, as the foundational problem lay at the larger sphere which was, the US, International Airlines, and Global Electrical and Gas companies.

To elaborate, our society needed more than just a visualization of the effects of global warming we needed the idea of the visualization and the idea of the senses. In a modern sense of the term, the creative thought that surrounds climate change is visualizations, therefore for example, photojournalists would be considered important to play a role in making clear the impact of climate change. However, in our current day and society, the technology of the camera has been displaced by more intelligent programs. This is our desire to gain a more authentic and real picture. Satellite images, and futuristic photos will touch into our senses, and if we had a hot sphere to hold onto, like an Amazon Kindle (e-reader) we would feel more in control and maybe more determined to make a difference. Thus, now in Australia we may not think that we are conserving energy but the large electricity taxes, and energy saving retail stores that are slowly appearing in towns are here to take over and in a good way for the long term; though primarily in the same way that the press and media works.

Bibliography

What is the Print Media http://www.hi.com.au/bookstore/Library/pdf/CAPrint.pdf

The Information Age is Over http://scienceblogs.com/collectiveimagination/2009/12/the_information_age_is_over.php

Chronological Time Line (Of Publishing Technologies) http://www.xs4all.nl/~knops/timetab.html

John Armitage Beyond Post Modernism http://www.ctheory.net/articles.aspx?id=133

Innis, Harold, The Press: A neglected factor in the economic history of the twentieth century. London: Oxford University Press1949

Innis Harold, ‘Empire and Communications,’ Dunburn Press Ltd, 2007

Naughton, John (2009) ‘The original Big Brother is watching you on Amazon Kindle’  The Guardian, July 26,  http://www.guardian.co.uk/media/2009/jul/26/amazon-kindle-book-deletions

Kirn, Peter (2010) ‘How a great product can be bad news: Apple iPad and the closed Mac’, Create Digital Music, January 26, http://createdigitalmusic.com/2010/01/27/how-a-great-product-can-be-bad-news-apple-ipad-and-the-closed-mac/

http://arts2090.newsouthblogs.org/

When the Going Gets Tough: the Music Industry and its Implications

We have heard it all before. The arguments are the same as always. Loss of monetary interest for producers and musicians alike, unethical practices through the circumvention of digital media, rights to authorship and copyright protection. What is most interesting is that today, we have arrived at the stage, where we have formed a joint coalition as a result of being vicitimized and bombarded with a whole new phenomenon.

Lily Allen calls it dangerous, The Pirate Party UK calls on for freedom of information, the Featured Artist Coalition defines it as unpaid-for-promotion, UK Music argues for some form of action, and finally the British Government has released the Digital Britain Report calling it Illicit P2P File Sharing. Let me not begin to start on the international sphere that is a story for another time. Therefore, for the purpose of this Blog I have chosen to focus on what some may argue as being the heart of the music, arts, culture and creative industry. I introduce to you the United Kingdom and its internal wars with the musicians, governments and apparently The Rebels.

First and foremost, like a producer I must set the stage. Imagine a debate being held. In my imaginative debate, the Affirmative are the Law Makers, those that attempt to get it right but never get it quite right. Whereas, the negative I define as ‘The Rebels.’ The Rebels are those groups which fight for freedom of culture, those that are of the people not for the people and those that demand fairness and justice. Nevertheless, these conflicts of interest call for a deep reconstruction of our society and the music world.

If you haven’t already been informed through Lily Allen on the affirmative side, personally, (through her web page, and perhaps even Twitter, or maybe even via copies of e-mail), she claims to have quit the music industry, due to illegal file-sharing of her music committed by her fans. So, to create further controversy, I have observed that her claims come to the surface, right after Lord Carter, (the now ex-communication minister UK) releasing Britain’s Digital Report 2009.  A summary of this Report is done by Richard Wray in the Guardian article ‘Timms takes over Digital Britain brief.’ If there is anything to take out from his article it is his statement that,the momentum built up by the outgoing minister, Lord Carter, in his final Digital Britain report in June has fizzled out.” Fizzled out is suggestive here,  perhaps due to not punishing those infringers of file-sharing music enough, as it could possible affect certain musician’s income. Anyway, his successor Stephen Timms has now taken on the stage juggling two sets of roles, one of which he is the Treasury Minister UK, and the role of Minister of Communications, he is a busy man indeed.

To simplify this, I must add that the significance of the Digital Britain Report is Wray’s analysis, in The Guardian that explains that the, “report (also) pledged that the government will reduce online piracy by 70% through a system of warning letters to persistent offenders, backed up by the threat of reducing their broadband speeds.” He then goes further in his examination, and state that, “since the report came out there have been no meetings between the two sides and no one seems to know whether it is up to Ofcom, the government or industry to get the ball rolling again.” Ofcom regulates ISP providers.
                                                                                                
Now that sets the scene in the political-policy-making realm. I’ll let you choose who should win this debate. Now from here, we will move onto examining the Technical Sphere. Lily Allen’s current blog would define ‘The Rebels’ as the ‘uploaders’ of music, in that they make file-sharing accessible to all, rather than punishing those that download. This part of her argument is interesting as the Pirate Party has (an article called Illegal Downloads from LilyAllenMusic.Com, .Submitted by epriezka on 24 September 2009) expressed that since Lily uploaded her music, Lily’s claims would be identified as somewhat hypocritical. In that she forms an position against uploaders but has worn the shoes of an uploader.

To take a different angle from this perspective, I have copied a part from the Digital Report, in my attempt to find out who exactly should be prosecuted and for what reasons, in regards to file-sharing. The furthest I got was to this part of the document that states that,” The Government intends to provide initially for Ofcom to have a duty to secure a significant reduction in unlawful file sharing by imposing two specific obligations: notification of unlawful activity and, for repeat-infringers, a court-based process of identity release and civil action. The Government is also providing for intermediate technical measures by ISPs, such as bandwidth reduction or protocol blocking, if the two main obligations have been reasonably tried but, against expectations, shown not to have worked within a reasonable but also reasonably brisk period.”
 
So in these more technical terms the ‘repeated infringers’ are the ones that should be targeted. Therefore, from what I have tried to gather, for us, the general public is that firstly, we are victims of nothing in particular. The second moral of the story is that, we have simply been threatened by a bureaucratic system of governance, and a significant lack of appreciation for technology.

Bon Voyage my dear comrades,

Anthropol

 

References

‘Consultation on Legislation to Address Illicit P2P File-Sharing’ http://www.berr.gov.uk/consultations/page51696.html#
 
Digital Report Britian

http://www.culture.gov.uk/images/publications/digitalbritain-finalreport-jun09.pdf

http://www.featuredartistscoalition.com/showscreen.php?site_id=161&screentype=site&screenid=161&newsaction=showitem&newsid=2549&dc=6&sn=News

Lily Allen’s Blog http://blogs.myspace.com/index.cfm?fuseaction=blog&friendId=36707169&blogId=476442333

http://www.pirateparty.org.uk/

Wray Richard , ‘Timms takes over Digital Britain brief,’ written Monday 3 August 2009 20.47 BST, http://www.guardian.co.uk/technology/2009/aug/03/timms-takes-digital-britain-brief, accessed 7th October 2009

Spin Doctors

Spin Doctors
Found this on The Chaser’s website – link is www.chaser.com.au/cartoons

and how about this one

test

test

thought I’d give this a test run…to see if it all works out…

Who R U?

Who are you? This is a simple question, and so one would think. As when it comes to The Media, Everyday Life and You, there is a deeper cultural understanding that situates identity within the fabric of society.  Age, gender, and ethnicity are just a few factors that are ‘culturally inflicted’ within (studies of identity in) everyday life. This argument is explored in During’s article on ‘Debating Identity’.

To place identity within the media landscape calls to examining media and discourse in the contemporary society. I utilize Face-Book, am on MSN, have Blog spaces, and Twitter. These are just a few of the Mediums we can use to analyze Discourses in the contemporary society. Furthermore, these media forms and their Discourse analysis in today’s world are examined in an article by Hearne. Hearne analyzes media use in the context of a Post-Fordist world, therefore looking at the interaction between production, and consumerism.

Within this discourse, Hearne argues that identity is more or less based on a ‘branded-self’, or ‘image-commodity’. “The branded-self (in a postmodern, capitalist society,) sits at the nexus of discourses of neoliberalism, flexible accumulation, radical individualism, and spectacular promotionalism (p.197).” This notion is exemplified using reality television programs, such as Survivor and The Apprentice. In accordance to this argument, Herring also uses the relationships between the producers, researchers and media users, to demonstrate how this power-play impacts the users. Herring demonstrates that consumers/media users are misrepresented when analyzing their media use in the contemporary society. The argument is based on moral discourses in the way we use media. “Young people use new technologies for social ends that are much the same as for earlier generations using old technologies. Young people instant message, text message or email their friends much as Baby Boomer generation talked on landline telephones. They abbreviate and use language creatively to signal their in group identity (2008 p.77).”  

Essentially, Identity according to During is ‘hybrid’, and thus ‘arbitrary’. What is most interesting is that through Discourses our notions of identity changes, and this is referring to identity as arbitrary, i.e “determined socially from the outside (p.145)”. During shows this through history (terming it ‘identity politics’), during the civil rights movements (he uses examples such as ‘nigger, and blacks,’) the Holocaust, Communism and Feminist movements. Hence, During is arguing that identity is a subjective notion, influenced by the social sphere. I cannot disagree with either of these arguments that place identity within context, plus also demonstrating that identity is a process that needs to have a comparison. For instance, if there were not Whites there wouldn’t be Blacks.

Having stated these notions, I must now look towards my identity in a postmodern world, a capitalist society. I use many networks that identify who I am. I am aware that these technologies have a target market for youths, and can thus be a mechanism for scam profit-making. However, as I use FaceBook I am simply using it for communication purposes, to keep in touch with people from abroad, and to also keep me updated with news-reports from friends and families. Being an active user, I do not feel that these media uses are ways of self-branding, as contradictory as it may seem; there is legitimacy in self-branding, depending on what forms used, who (bands, individuals, businesses, perhaps a subjective way of looking at FaceBook) uses these Mediums, and how you use these media-forms, in a Post-Fordist , postmodern, capitalist, neoliberal, Western society.

References

During, Simon “Debating Identity” Pgs 274-278.

Hearn, Allison “Variations on the Branded Self.” Pgs 279-287.

 Herring, Susan “Questioning the Generational Divide: Technological  Exoticism and Adult Constructions of Online Youth Identity.” Pgs 288-308.

Interactive Design using Actionscript3 on Flash

For this task, I have chosen a simple animation for my word Warm. The brief  is to create a sense of playfulness in the interactive design catering for visually impaired children. In my design I would like to achieve a sense of familiarity with the word warm. This will be achieved through creating a domestic feel to my design. To begin with my design will be created in a domestic household. For visually impaired children I will have a bold outline of a house. Inside it there will be about 4 clickable objects that will be placed next to each other. The objects are as described:

There will be a jacket and a singlet- the jacket will move (clickable), the singlet won’t.

A tea pot and a fridge.

fire-place and a fan

A bowl of soup and a sandwich.

The design is based on a few concepts to make the interaction between the user and game fun. These concepts are based on discovery, a exploration, creation, and difficulty. I have made the objects so that they develop from an easy level and progressing to a somewhat harder level (soup/sandwich) to make the design more challenging, to also develop hand-eye coordination.

So this is what I had in mind thus far, although I must warn that it may change without any notice. Cheers

What Lies Beneath Wk10

“Meet the New Poor” was the headline in the Daily Telegraph on Monday 25th May 2009. It is a captivating, dramatic, and an enticing, statement. Can you guess what the article was about? It could be perhaps; the impact of the economic recession, Australia’s unemployment status, and our society. What is most interesting is analyzing this statement and the article from a ‘critical discourse perspective’. However to do this one must understand the definition and meaning of Discourse in Communication and Media studies. Fairclough (1995) provides this basis. He defines the ‘use of language as discourse,’ as “viewing language use as a social practice (implying first), that it is a mode of action, as linguistic philosophy and (also) implies that language is a socially and historically situated mode of action, in a dialectical relationship with other facets of the social (1995 p.54).” Before deconstructing his analysis of ‘discourse;’ and drawing it in with Economou’s articles on Australian and Greek texts, there is a secret that lies beneath his definition and article that is essential in understanding this statement on a practical level. This deeper understanding derives from Foucaultian philosophy. Foucault theorized this concept and came to a conclusion of society and man. This wise man once said, “Man is a thinking being. The way he thinks is related to society, politics, economics, and history and is also related to very general and universal categories and formal structures.” Michel Foucault (1988) (sourced from Website). 

Essentially, every media form conveys a meaning. However it is critical to understand how and why these forms are constructed to ultimately serve their purpose. This is where Fairclough’s discourse analysis proves to be useful. Simply providing a brief description of his analysis, Fairclough looks at a process whereby he studies a Media Form using the concept that he terms as- a ‘communicative event,’ and another concept termed as the ‘order of discourse’. The Communicative Event focuses on three aspects. These include texts, discourse practice and socio-cultural practice. The second part focuses on the ‘order of discourse.’ These are basically tools used to look at the construction of Media Forms.

Texts are ‘concerned with both their meanings and their forms.’ They can be analyzed in three terms that Fairclough summed up as, ‘ideational (ideology behind text), interpersonal (identity and status) and textual (formal, informal, close distant p.58).’ The ‘discourse practice’ is analyzed through examining the text production and the text consumption (p.58). For instance, an example is based on analyzing the inter-textuality (interpretive analysis p.61) and the linguistic analysis (descriptive in nature) of the Medium. This could refer to the text being written in colloquial language so that the reader receives the text (consumption), although the Medium may have gone through a large production process. This all depends on the larger picture, which is based on the way we receive a text, termed as ‘socio-cultural practice;’ the idea of the position in society and culture of a text, or also ‘situational context’ (p62). The second part termed the ‘order of discourse’ has a basis on the idea of genre.

 Using pictures and text, Economou’s article provides a framework of which to look at when analyzing a text. An argument or more so concept which Fairclough construct is closely related to Economou’s analysis. Fairclough when an analyzing a text emphasizes the use of language through power relations. He provides a simple example, “in which a conventional consultation between a doctor and a patient, or a conventional interview between a reporter and a politician.” He goes on to say that such practices are shaped, with their common sense assumptions (eg. Doctor knows all about illnesses), to prevailing relations of power between groups of people (p.54).” The reason that I have made direct links between these two articles can be questionable, but more so interesting.

I have found the power relationship between the viewer/audience/receiver and the production line of a text (reporter, cameraman, editor) to be significant when analyzing a Media Form, in terms of Economou’s perspective. For instance, a photograph could be received as ‘factual’ and ‘attitudinally’ to the audience, and this all depends on the construction of the photograph, including the position, and layout of the page. Economou states that, “photos have the potential to position the viewer to take a positive or negative view, or, even implied, participants whether or not the photo’s selection and presentation is consciously motivated by this potential (p259).” In this power-play relationship in terms of any media form, by the end it is a socio-cultural practice that relates to the final projection of the media form.

I can see how this idea of ‘discourse analysis’ is important, especially when looking at news formats, entertainment and sports. But what I find most intriguing and am quite unsure of is based on the purpose of ‘discourse analysis.’ The purpose could be twofold. Firstly, it could be as a way of measuring ‘accountability’ of reporting, and secondly, within understanding the fabric society and thus construct. An Australian program that is called Media Watch on ABC is based on analyzing Australia’s media. One episode provided a linguist-analysis within news reporting on the term ‘nuclear missiles.’ This program could be an example where the Media is watched, and kept accountable. So essentially my Blog postage has a media discourse associated to it, and if we were to study media discourse we would come back to Foucaultian philosophy and end up singing the song Rome Wasn’t Built in A Day!

References

Fairclough N. “Critical Analysis of Media Discourse” In Media Discourse London Arnold, 1995, 53-74

Economou, Dorothy, “Pulling Readers in: News Photos in Greek and Ausralian Broadsheets” in White PPR and Elizabeth A Thomas Eds. Communicating conflict: Multilingual Case Studies of the News Media. London Continuum 2008 145-152

Website http://www.foucault.qut.edu.au/quote/2005q.html page last updated 10 February 2009 Site created in January 1997 by Clare O’Farrell. Accessed 25th May 2009.

Look, there. It’s a sign :Wk9

Language is universal. This is a fair and acceptable statement to make. However, I have learnt that language is an extensive process that is endless as time goes by. As we enter the realm of Futuristic New Media Forms, and into a more knowledgeable society; the deconstruction of language through linguists, sociologists, and cultural analysts combines to make a lethal mixture for those simply studying Media. I chose to focus this week’s postage on an article by Lunkin, Annabelle, “Reporting War: Grammar as Covert Operation, (in Dissent)” once I finished reading and carefully analyzing her paper, I then had to delve into a furthered understanding of Discourse along with the study of Semiotics, as I will explain further in this post.   

Lunkin’s article emphasizes the importance of language within the context of news reporting. This is explained as Lunkin makes the reader understand through her argument that, “any report of any event is selective because of the nature of language.” Hence fundamentally, a media report and the ways language is used in the report can be interpreted and constructed through many ways. This is most interesting as it forms the basis of semiology and the study of meanings and signs. Before I analyze how semiology becomes part of this, I would like to further Lunkin’s concept in interpreting texts.

Lunkin focuses on three primary factors that explain how a statement can be received and thus how it is also constructed. (I will be quoting Lunkin in both her use of examples and explanations.

  • Middle Voice – “ No mention of an external agent who caused (an) event to happen.” (Example used in Lunkin’s article, “Bombs fell on Baghdad”)
  • Active Voice – “(The mention in a statement where there is a) Grammatical agent that caused the event to take place.” (Eg used, “Coalition forces dropped Bombs on Baghdad”)
  • Passive Voice – “Leaving out the agent of action” (Eg used, “Bombs were dropped on Baghdad”)

Both Passive and Active Voices, Lunkin refers to as the “Effective Voice.” Furthermore, the Passive Voice is received by the audience with “a choice of whether or not to make the agent of action explicit.” In terms of the discourse in news statements, and specifically in the reporting of the Iraq War, these are three ways of “constructing the event.” So essentially, the above explains how a statement is written, or the choices available for journalists to write. The next step is based on the study of meanings and the differing ways the audience can interpret them. This is where Schirato’s and Yell’s article on interpreting meanings comes into place.  

Schirato and Yell’s article, “Signs and Meanings” describes the concept of semiology. They write that the study of semiotics was developed by the linguist Ferdinard de Saussare. Through exploring Saussare’s concept, it is evident that language has been formed from a common socio-cultural understanding. The article explores Saussare’s idea of signs. They explain that Saussare was “interested in the linguistic sign which he divided into three aspects. (pg 20).”

These include;

Signifier;

Signified and

Sign.

The signifier is (put simply) the word, the signified is concerned with how this is “evoked” (p20) or our idea of the word, and sign is what I’ve understood to be as the word per se. In an example from above taken from Lunkin’s article, I’ve deconstructed the word Bomb to describe this. The signifier would be the word Bomb, the signified would be Bombardment, and the sign is disastrous if I have misunderstood the entire article, but theoretically I’d say it would be a Bomb.

The understanding of this word would be termed according to Saussare in Schirato’s and Yell’s article as having an arbitrary meaning, i.e. it is socio-culturally explained. To explain this, we all know what Bomb is. The problem I have with Saussare’s concept is that with the emergence of cultural differences, words such as terrorists and freedom fighters would be quite difficult to adapt within his concept. Therefore, when it comes to studies of the Media and language, Lunkin puts it best. As she questions us to think about Media discourse. She talks about the “coverage of war,” and poses questions such as, “what emphasis is given to the coverage of the impact of war on citizen, versus discussions of technological, military deployments and strategies, versus what politicians have said, ordered, claimed, derued, denounced, reiterated, suggested, abhorred, acknowledged, added insisted etc.?” and ends with stating that these “complex questions can be researched; such research would uncover the covert grammatical operations in reports of war, that is how certain kinds of grammatical selections might be favored over others. The Australian Public would be in a much more informed position to debate the significance and consequence of how the experience of war is mediated for us.” (p.36)

References

Lunkin, A, “Reporting War: Grammar as Covert Operation” Dissent (2003) pp. 14-20

Schirato T, and Yell, S. “Signs and Meaning.” Communication and Cultural Literacy: An Introduction .Sydney: Allen and Unwin 2000, pp.18-33

A New and Improved Audience :Wk8

I shall confess that thus far my perspective of ‘the audience’ has been critical. Originally, I had maintained this concept of a ‘homogenized audience’. It primarily followed the idea of commodification and convergence of the media which for me, was due to the formation of new and updated technologies. My previous blog post ‘American Homogenization and Media Convergence’ outlined this perspective on a basic level. As I read Nick Couldry’s chapter I must admit that it has challenged me to think beyond this, as I will describe later in this blog post. Furthermore reading this chapter, I identified my original perspective with Nicholas Abercrombie and Brian Longhurst’s arguement. Other than Nick Couldry’s ‘Extended Audience’ chapter which challenged the traditional notions of audience reception studies, an interview that I was listening to on ABC Classic this morning between 10am-11am with Margret Throsby and Hossein Valamanesh as guest provided me with a complete different ideology on audiences and ‘publics’.

As I was sitting on the bus on the way to university, I listened to this particular interview with Hossein Valamanesh, on the play ‘When the Rain Stops Falling.’ Listening to this broadcast, I travelled to many places of the Middle East in terms of the music. I relaxed to chill out sounds and learnt quite a lot about the world around me. However, I awoke from my imagination through a quote by Hossein Valamanesh, which made me think, and also shattered my original idea on audiences. In order to gain a better understanding of this quote I re-listened to the broadcast via abc.net.au/classic/throsby/default.htm#listen, and I have provided a short quote below.

Margret Throsby (host) states in the interview- “(I think it’s save to assume that) Today’s audiences are more sophisticated in the way they accept a story being told to them, because of film. Because we’ve seen stories told in non-linear ways on film.”                                                                                                                                                                              Hossein Valamanesh- “(I think) We at times underestimate public intellect.”

From these quotes I have come to learn that the media is part of our daily lives, however rather than it being passive (underestimating the public); we actually do think about the media in various ways and forms, and with the advent of new technologies we are able to personalise and choose what we like whether it is to hear, watch or read, and even take part in. RSS feeds, and YouTube are amongst this growing trend. In addition, Couldry argues in his article that, “as audiences become more ‘media literate’ the idea of what it might be like to be a performer on television is more wide-spread than it once was.”

Nick Couldry’s article on the Extended Audience challenges and makes the reader question previous studies of audience reception; through examples that include advertisements, mobile media (such as the webcam) and the DotComGuy. These examples show how the audience has changed. For instance, through the advertisement he draws on the concept that it could be seen as a way of media performance. This is argued in Abercrombie/Longhurst’s argument on the ‘diffused audience’. Where we have been so very accustomed to the media, and reality TV shows that the concept of having an audience is diminishing. Alternatively, he argues that the advertisement can be seen as being part of what maybe called a ’traditional media process,’ or even better what he argues (throughout the article) as an ‘extended audience’ and thus having an intended audience.  

The concept of an extended audience refers to a further understanding of spatiality. A good example in the article is based on the notion of ‘fandom.’  The article describes DisneyWorld as available for a consumer to visit and be a part of. Overall, his article challenges the notions of reception studies with the interaction of the audience and consumer, especially with the idea of a ‘diffused audience’ that is based on the concept of the media immersing everyday lives through a plethora of mediums.

References

Couldry, Nick “The Extended Audience: Scanning the Horizon” In Gillespie, Marie Ed. Media Audiences. Berkshire: Open University Press, 2005 184-196 and 210-220.

Interview- 11th May 2009, ”Mornings with Margret Throsby”- 10:05-11am with Hossein Valamanesh http://www.abc.net.au/classic/throsby/default.htm#listen accessed 11th May 2009.

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